THEATRE
PREVIEW
“PLAYWRIGHTS
PROJECT”
Published
in KPBS On Air Magazine January 1991
Every child has
to leave home eventually.
Last year, the
Playwrights Project packed its bags and left its "parent group," the
Gaslamp Quarter Theatre Company.
Originally called the California Young Playwrights Project, the program
was founded in 1985 by Deborah Salzer, as an outreach venture of the GQTC,
co-sponsored by the San Diego City Schools.
But now, she says, "we have our own directions to go in. I just couldn't fully support the artistic
and management decisions made at the theater." (For awhile, the GQTC itself couldn't support its
artistic/management decisions, and, in heavy debt, was forced to suspend
operations from last May to November).
Salzer was
ready to move beyond a commitment to working only with “young”
playwrights. Now, as a separate,
independent not-for-profit corporation, the Playwrights Project (with Salzer as
Executive Director) has a mission "to nurture dramatic writing in people
of all ages." The annual,
statewide young playwright's contest continues, with a professional production
of the winning scripts. And the Project
still offers school workshops and staff development: Professional directors, performers and playwrights go into
Salzer recently
started two Intergenerational programs.
She began last January with an 8-week playwriting course -- taught by
Annie Hinton, local actor, writer and teacher -- at the
Then there's
the Partering Program, which links young dramatists with seniors. This idea was born when Salzer moved her 75
year-old mother into a senior hospital/residence, and realized that all the
seniors had stories to tell. So she
paired a few older storytellers with younger people (theater professionals, at
first) who served as interviewers, scribes and dramatic writers. The result was five 10-minute scenes,
performed by actors last fall at
Meanwhile, her
attention is focused on the young playwrights who've worked out their own
material. Plays by Young Writers '90
runs January 16-27 at the Bowery Theatre's Kingston Playhouse, as part of the
theater's Community Collaboration (outreach) program. One hundred seventy-nine scripts were submitted statewide, the
largest number in the history of the Young Writers competition. Of the five winning one-act plays, three
playwrights hailed from
The current
president of the Young Playwrights Club at
It's been quite
an experience for the playwright.
First, there was the issue of the title. The original was "Exhausted, Depressed and Sexually
Frustrated." When she won
"I was so
mad," Balko says. "The
principal went through the script with a yellow marker." Balko's original script has been reinstated
for the Young Playwrights production this month, but the title had to go --
again. Producer Salzer apparently felt
it was, according to Balko, "too telling.
It summed everything up in one sentence. She was insistent on the change so I made it. But I can't believe this piece has had three
titles in one year."
Well, part of
the point of the statewide contest is to allow young playwrights to get a feel
for "the real thing," and Balko is certainly getting a true-to-life
exposure to the arts world, circa 1991.
The other
winning plays are:
“When Reality
Refuses to Cooperate” by Robert Sayles, age 16, a senior at
“The
Shakespeare Club” by Adam Stein, 18, a graduate of La Jolla High School,
currently a sophomore at Yale University:
A humorous exploration of identity through a contemporary confrontation
of five Shakespearan characters.
“
“For My Very
Dust is Laughing,” a humorous piece by Aaron Thomas, age 17, a senior at
©1991 Patté
Productions Inc.