THEATRE
REVIEW:
“RADIO MAMBO”
by Culture Clash at the San Diego Rep & “THE LAST ANGRY BROWN HAT” by the Latino Ensemble de San Diego at
Centro Cultural
& “THE WONDERFUL ICE CREAM SUIT” at the Vantage Theatre
KPBS
AIRDATE: November 6, 1996
We may have
just passed the Day of the Dead, but Latino theater is alive and well in San
Diego. There were four dramatic events
co-occurring in one week.
Our first local
Latino theater company, Máscara Mágica, held a Día de Los Muertos fiesta and
fund-raiser... and our newest addition, Latino Ensemble de San Diego, is
winding up its high-power, premiere production, “The Last Angry Brown Hat.”
In between, we
have two temporary installations -- “Radio Mambo,” a welcome return visit of
LA’s Chicano comedy trio, Culture Clash, and Vantage Theatre’s production of
“The Wonderful Ice Cream Suit.”
The new San
Diego theater company is true to its name:
Latino Ensemble. I loved this
co-production with Centro Cultural, and I can’t wait to see what the new group
does next. In “The Last Angry Brown
Hat,” a funny and dramatic 1993 award-winning one-act by Alfredo Ramos, four
former Chicano Brown Berets reconvene in East L.A. after a 20-year hiatus. The fifth member of their group has
overdosed and died, but the last two decades have been a heavy trip for all of
them. Each has a riveting story to
tell, and the four talented actors -- Gregorio Flores, John Padilla, Victor
Contreras and Marcos Martinez - - do a
masterful and convincing job. There’s a
bit of aimless wandering onstage, but director Mike Gomez makes the most of the
play’s deliciously jolting tonal shifts.
It’s a tasty slice of Latino life:
a cross-section of paths taken enroute from idealism to reality.
And what do you
get when those rocky paths cross the trail of Cubans, Haitians, African
Americans, drag queens and New York Jews?
You get Culture Clash, in Miami.
If Anna Deveare Smith trisected herself, and fanned out around Florida
doing her investigative/interpretive theater thing, it would in some ways
resemble “Radio Mambo: Culture Clash
Invades Miami.” The difference is
humor. Smith is a documentarian, who
re-enacts what she’s heard in interviews.
The three wackos of Culture Clash are, first and foremost, comedians;
they imitate without mocking, but never fail to mine the humor in human
behavior.
Personally, I’m
a bit partial to that hilariously frenetic chameleon, Herbert Siguenza, but his
partners in comic crime -- Richard Montoya and Ric Salinas -- are equally
versatile. Together they show us the
broadside and underbelly of a multicolored city in confusion and
transition. Sound familiar? You’ll flinch even more when, as promised,
Culture Clash takes on our own fair city.
Now that will be an entertaining evening of theater.
What makes a
much less entertaining evening is Ray Bradbury’s early, fanciful short story,
“The Wonderful Ice Cream Suit.” As performed by Vantage Theatre, it’s a
plodding 50 minutes, with wooden acting, leaden pacing and more blackouts than
a boxing marathon. This is a whimsical tale of six young men from the barrio
who find magic in a suit the color of vanilla ice cream. Prosaic when it should be poetic, this
production soars only in a slo-mo barroom brawl.
But overall,
for Latino drama, humor and in-jokes, it’s a great week to go to the
theater. Viva la Raza!
I'm Pat Launer,
KPBS radio.
©1996 Patté Productions Inc.