THEATRE REVIEW:
“LOVE, JANIS” at the San Diego Repertory Theatre
KPBS
AIRDATE: July 19, 2002
The jury is still out on whether or not
Janis Joplin will become a bona fide American classic. Young kids don't seem to
know the hard-driving, hard-rockin' blues mama at all… Or they think of her as
some crazy, wild '60s singer who overdosed and died young. And yet, more than
30 years after her death at age 27, her 'Greatest Hits' album still tops
the Billboard charts. MTV recently named her one of the top three Women in Rock
'n' Roll for the Millennium (she placed just after Aretha and Tina, both still
very much alive). And in more dramatic terms, the show about her music and
life, which first appeared here last summer, was the highest-grossing, most
successful musical in the 27-year history of the San Diego Repertory Theatre,
extended twice and playing to standing ovations every night. So all that has to
count for something. Only time will tell the whole story. But in the meanwhile,
you might want to check out the reprise production of "Love, Janis."
It's based on the book by the same
name, written by Janis' younger sister Laura. Creator/director Randal Myler has
taken out all of Laura's commentary and personal memories, retaining only
excerpts from Janis' interviews and letters home, interspersed with 19 of her
best and most memorable songs. This is a familiar format for Myler, who also
created "Lost Highway: The Music and Legend of Hank Williams" and the
Tony-nominated "It Ain't Nothin' But the Blues." The Rep has
previously presented the slightly more plot-driven "Always, Patsy Cline"
and "The Buddy Holly Story." Each is more concert than theater, and
more satisfying musically than dramatically.
The conceit here is that there's a
talking Janis and a singing Janis, though Andra Mitrovich, who's from the same
Texas locale as the rock icon, could easily do both, if she'd just slow down
her sassy, twangy talk. Because the role is so vocally demanding, there are two
singing Janises, alternating nights. So it takes three people to make one Janis
-- and that says it all. But Mitrovich, who's played the role for 5 years,
including Off Broadway, sounds great, and very authentic. I heard the other
Janis, Kacee Clanton-Iniguez, in rehearsal, and she's darn good, too, with less
down-home wailin' blues, more thumpin' bumpin' rock. Neither is imitating
Janis, and that's as it should be. Neither looks like her, and that's sometimes
distracting. The backup band is terrific, directed by Sam Andrew, a founding
and current member of Janis' original band, Big Brother. Though the ache in the
songs can still break your heart, the show doesn't. But audiences of all ages
seem to love it… maybe you will, too.
©2002
Patté Productions Inc.